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Often depicted as the archetypal doomed young singer songwriter of his generation Nick Drake remains almost impossible to pin down in any such flippant way. Even nearly forty years after his death the songs of Drake find a resonance with new audiences and artists not born when he was recording the three albums that appeared in his lifetime  Five Leaves LeftBryter Layter and Pink Moon. Although these recordings sold relatively poorly on initial release such is their drawing power for those who love introverted, folk tinged verse and melody that Nick's songs have sound bedded adverts, featured in successful movies and been reinterpreted by a host of admirers on larger stages than he ever inhabited. The usual irony of such matters persists Drake couldn't contemplate long tours and loathed interviews but didn't entirely shy away from limelight. He could be reclusive yet maintained separate circles of friends who rarely came into contact with each other but felt a bond because of their kinship with Drake himself. Subsequently his life and music, however brief and sparse, have formed the basis for intriguing documentaries on radio and television, including fascinating retrospectives like BBC Radio 2's broadcast Fruit Tree: The Nick Drake Story, featuring interviews with his family and various key mentors, and the BBC2 overview, A Stranger Among Us In Search of Nick Drake. The stranger, the search, the illusion, the myth have all deepened over the years but there is no question that Nick Drake today is more popular than ever. His second album, Bryter Layter, was placed a cool first in The Guardian's list of 'Alternative top 100 albums ever.' Not second, fourteenth or ninety-ninth but number one. We'll never know whether Drake would have appreciated the attention his albums receive now but one hopes he would have sorted his personal demons out and banished them while sadly accepting that without them he may never have created his greatest work.
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